- Justin Timberlake Albums List
- Justin Timberlake 20 20 Album
- Justin Timberlake The 20 20 Experience Album Download Torrent
There's a singular telling aspect of how fans of pop music are willing to receive Justin Timberlake that goes the farthest in explaining why America remains obsessed with him: no matter how closely the man positions himself to the absurd, we are willing to forgive him the fact that our collective chains are being pulled for the sake of perpetuating his fame.
And trust me, on JT's new album, The 20/20 Experience, absurdity is just a hair's width away at all times. If we're meant to laugh at the now five-time host of Saturday Night Live when he dresses up like a giant block of tofu, why aren't we also meant to laugh when he croons ridiculous lines like 'I want to find the alien in you,' as he does on the 20/20 slow-grinder 'Spaceship Coupe?' Whether you actually take the line as a serious come-on or a playful non-sequitur, your final reaction is the same: 'Ah, that's just Justin being Justin again.' His appeal exists in dualities (multitudes, really) and it's now impossible to shake one aspect of his celebrity free of the others. We love this guy when he makes shitty movies. We love him when he makes good ones. And we love this guy even when, after a six-year musical hiatus, the first tune we hear from him is a tad underwhelming.
Sgh t599n firmware download. The 20-20 Experience (Deluxe Edition).zip - Google Drive. From the orchestral flourish that opens the album Experience, to the framing device of harmony-soaked soul groove That Girl – which introduces JT & The Tennessee Kids, his orchestra – to the suiting (Tom Ford, natch) and epic average track length (seven minutes), everything about The 20/20 Experienceseems tailored to reframe Justin. The 20/20 Experience is the third studio album by American singer-songwriter Justin Timberlake.It was released on March 15, 2013, by RCA Records, as the follow-up to his second studio album FutureSex/LoveSounds (2006). Simple Way to Listen / Download The 20/20 Experience - 2 of 2 (Deluxe Version) by Justin Timberlake in mp3, FLAC, ogg, zip album and other supported formats. Find album reviews, stream songs, credits and award information for The 20/20 Experience - 2 of 2 - Justin Timberlake on AllMusic - 2013 - Just before the release of The 20/20 Experience,&hellip.
Justin Timberlake Albums List
To wit: the tao of Justin Timberlake is revealed in how 'Suit & Tie' was received. Played initially through a set of tinny laptop speakers and even later through decent iPod headphones, it's a totally 'Meh'-inducing experience. But find yourself in a club, or even a dimly lit room with ten of your best friends and a glass of whatever in your hand, and it's hard to imagine wanting to dance to anything else. Our biggest pop stars are enjoyed collectively because they're designed to please on a grand scale. And if that's the only prerequisite for measuring the amount of enjoyment found in The 20/20 Experience, then the album can't be viewed as anything but a resounding success, absurdity and all.
Which isn't to say Timberlake took the path of least resistance on this record. There are no Calvin Harris four-on-the floor workouts here. Nothing meant to simply tantalize club and wedding reception goers for the next three months before dissipating into the broadband ether. For 20/20 Justin unearthed one Timothy Mosley's business card, a producer whose ten year run beginning in 1996 influenced popular R&B on the same scale as Babyface in the late-‘80s to mid-‘90s. Though his output has waned in the last six years, Timbaland's beats are still built to last and his statement of relevance on 20/20 is emphatic.
'Suit & Tie' splashes a two-step rhythm and old-fashioned horn section with a dripping Southern rap crawl, mid-song. Album opener 'Pusher Love Girl' reinterprets blue-eyed soul for the electronic age, especially in the track's final three minutes where Justin's vocals are chopped-up, digitized and set to a funky electro march. And 'Don't Hold The Wall' and 'Tunnel Vision' contain familiar Timbaland elements: vaguely Middle Eastern melodies, offbeat flourishes like cricket sounds and babies cooing, and thick, double-time rhythms created by both drum machine and human beatbox. The joy in Timbaland's music is in the discovery and on these tracks he leaves plenty to think about even after multiple spins. In fact it's the producer who gets the last word much of the time, as more than half of the songs extend into lengthy postludes after the bulk of Justin's vocal work is done.
20/20 is only ten tracks long but it has the running time of a 17-song album if you were to break it down into standard chunks of consumable pop. Again, this is JT doing what he wants to do, convention be damned. The format works for the most part, though 'Strawberry Bubblegum''s eight-minute running time only succeeds in reminding us that the song's eponymous candy confection is a metaphor for a woman's privates. Indeed, the songwriting on 20/20 leaves much to be desired. Justin's cheesy space-lover routine on 'Spaceship Coupe' threatens to overshadow Timbaland's expert homage to Zapp and Parliament, and 'Pusher Love Girl' falls back on the tired lover-as-addictive-substance motif. But we don't really visit JT records to be knocked out by provocative songwriting. Lenovo ideapad 510 webcam not working remotely. Frank Ocean might have a gutsier pen game–and Usher more moves and Miguel more sex appeal–but 20/20 is easier to fall into a groove with than any of the best contemporary pop/R&B albums out right now.
The degree to which we're enamored with pop's biggest stars is directly proportional to how vigorously we shake our heads when they do something absurd. Whether it's Kanye dressing up as the Yeti in London, or Beyonce making pained, incontinent sex faces at the Superbowl, it's not an empirical amount of love or disdain that confirms their worthiness, it's the severity of our response in either direction.
If Ye is the emotional one, and Bey is the fabulous one, then Justin is the one who makes everything look the easiest. He's that buddy of yours from freshman year who picked up skiing the first day on the mountain; the one who you never knew rapped, but once saw hop into a cypher and undress the local battle rap champion with 16 bars off top. Justin is that dude who conjured up 20/20 seemingly out of midair: Two months after being announced, it was streaming on iTunes and, oh, by the way, there's a part two coming later this year. Justin is the one who built a power ballad for the 21st century ('Mirrors'), out of a juvenile simile, rudimentary chord progressions, and fart noises. Did you ever think a song would exist that might appeal equally to fans of Coldplay, Chicago, and Biz Markie? Well, Justin Timberlake just made one, and he's daring you to tell him there's anything else he can't do.
Justin Timberlake 20 20 Album
Having squeezed as much as he can out of pop stardom, JT is determined to be seen as an Entertainer. From the orchestral flourish that opens the album Experience, to the framing device of harmony-soaked soul groove That Girl – which introduces JT & The Tennessee Kids, his orchestra – to the suiting (Tom Ford, natch) and epic average track length (seven minutes), everything about The 20/20 Experienceseems tailored to reframe Justin Timberlake as timeless, his transformation from the jheri-curled teen idol to pop innovator nearly complete.
Unlike his previous two solo albums, there's very little darkness to 20/20. Songs like Cry Me A River and What Goes Around… are fabulously nasty, and even happier moments like ‘My Love' had a sense of danger. It's hard to find interesting ways to sing about total contentedness –the newlywed Timberlake's approach is all-out adoration, and it works. Future-funk and soul – Prince via The Love Below – thread through the fun grooves of the mid-album tracks about moon sex and bubblegum. The arena-ballad strings and luminous close harmonies on Mirrors challenge his peers to make a bigger, better love song – it's possibly the best straight-up Top 40 love song since Halo, perhaps as much about music itself as his bride. It's the second-last track, with the draggy beauty of Blue Ocean Floor ending the album on an aching, modern note (but for one final sweep of Hollywood violin).
Don't Hold The Wall is a sinuous dancefloor seduction, and with its snare-prickled bass and humid ambience, it's Timbaland's best production in years. Like Usher's Climax, it doesn't drop as hard on the chorus as pop listeners are conditioned to expect these days; ‘restrained' is not the first word that comes to mind when one thinks about a seven-minute R&B track, but restrained it is.
The most satisfying thing about 20/20 is the way it clearly fits into the JT mythology. There are callbacks to his best work: Mirrors uses the same drag-stomp beatboxing as Cry Me A River, contrasting its besotted glow starkly with the earlier single's bleak, bitter recrimination, as JT ensures she definitely knows all the ways he loves her this time; and Tunnel Vision recalls LoveStoned/I Think She Knows in its combination of swirling, laser-focused production and willing surrender to desire. If Justified was a hoodie and FutureSex a sharp, shiny suit, then 20/20 is a vintage tux with purple silk lining and something up the sleeve.
Self-indulgent? Of course it is. Spectacularly so.
Justin Timberlake The 20 20 Experience Album Download Torrent
MusicDaily Newsletter
The degree to which we're enamored with pop's biggest stars is directly proportional to how vigorously we shake our heads when they do something absurd. Whether it's Kanye dressing up as the Yeti in London, or Beyonce making pained, incontinent sex faces at the Superbowl, it's not an empirical amount of love or disdain that confirms their worthiness, it's the severity of our response in either direction.
If Ye is the emotional one, and Bey is the fabulous one, then Justin is the one who makes everything look the easiest. He's that buddy of yours from freshman year who picked up skiing the first day on the mountain; the one who you never knew rapped, but once saw hop into a cypher and undress the local battle rap champion with 16 bars off top. Justin is that dude who conjured up 20/20 seemingly out of midair: Two months after being announced, it was streaming on iTunes and, oh, by the way, there's a part two coming later this year. Justin is the one who built a power ballad for the 21st century ('Mirrors'), out of a juvenile simile, rudimentary chord progressions, and fart noises. Did you ever think a song would exist that might appeal equally to fans of Coldplay, Chicago, and Biz Markie? Well, Justin Timberlake just made one, and he's daring you to tell him there's anything else he can't do.
Justin Timberlake 20 20 Album
Having squeezed as much as he can out of pop stardom, JT is determined to be seen as an Entertainer. From the orchestral flourish that opens the album Experience, to the framing device of harmony-soaked soul groove That Girl – which introduces JT & The Tennessee Kids, his orchestra – to the suiting (Tom Ford, natch) and epic average track length (seven minutes), everything about The 20/20 Experienceseems tailored to reframe Justin Timberlake as timeless, his transformation from the jheri-curled teen idol to pop innovator nearly complete.
Unlike his previous two solo albums, there's very little darkness to 20/20. Songs like Cry Me A River and What Goes Around… are fabulously nasty, and even happier moments like ‘My Love' had a sense of danger. It's hard to find interesting ways to sing about total contentedness –the newlywed Timberlake's approach is all-out adoration, and it works. Future-funk and soul – Prince via The Love Below – thread through the fun grooves of the mid-album tracks about moon sex and bubblegum. The arena-ballad strings and luminous close harmonies on Mirrors challenge his peers to make a bigger, better love song – it's possibly the best straight-up Top 40 love song since Halo, perhaps as much about music itself as his bride. It's the second-last track, with the draggy beauty of Blue Ocean Floor ending the album on an aching, modern note (but for one final sweep of Hollywood violin).
Don't Hold The Wall is a sinuous dancefloor seduction, and with its snare-prickled bass and humid ambience, it's Timbaland's best production in years. Like Usher's Climax, it doesn't drop as hard on the chorus as pop listeners are conditioned to expect these days; ‘restrained' is not the first word that comes to mind when one thinks about a seven-minute R&B track, but restrained it is.
The most satisfying thing about 20/20 is the way it clearly fits into the JT mythology. There are callbacks to his best work: Mirrors uses the same drag-stomp beatboxing as Cry Me A River, contrasting its besotted glow starkly with the earlier single's bleak, bitter recrimination, as JT ensures she definitely knows all the ways he loves her this time; and Tunnel Vision recalls LoveStoned/I Think She Knows in its combination of swirling, laser-focused production and willing surrender to desire. If Justified was a hoodie and FutureSex a sharp, shiny suit, then 20/20 is a vintage tux with purple silk lining and something up the sleeve.
Self-indulgent? Of course it is. Spectacularly so.
Justin Timberlake The 20 20 Experience Album Download Torrent
MusicDaily Newsletter
